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That’s three hours x 15,000 tapes: 45,000 hours, or a little over five years. So, again being pretty conservative, let’s say it takes three hours to make a copy of one tape. Making a copy isn’t a matter of a few minutes, like with a DVD: You have to sit through all 80 of those minutes, then you have to watch the copy to see if it looks and sounds OK. Let’s be conservative and say they run about 80 minutes apiece. So, we have Scarecrow’s 15,000 VHS titles. So, if it’s so rare and we’re so committed to sharing it, why don’t we just digitize the whole shebang and slap it up online for a nominal fee? First, it’s illegal, but for the sake of argument we’ll pretend that’s not an issue. It’s all here, in one place, accessible to anyone who walks through the door, and we’ll have it for as long as it lasts. That’s where we would traditionally think a place like Scarecrow can step in: We’re still a clearinghouse of sorts for this stuff. So, thousands of movies are still going to fall through the cracks. That’s setting aside the issue of securing rights to 40-, 50-, 60+ year-old obscurities, which can be so knotty that many, many films simply vanish because nobody has the time or resources to track down who’s supposed to get paid for what. It takes a lot for a boutique label to release these movies at all - to do the real work of obtaining decent source materials, cleaning them up, properly scanning them, and so on - and the profit margins are still pretty slim. They never made the jump to DVD in the first place, making it even more unlikely that many of them will be released on Blu-ray. One of the reasons Scarecrow still carries roughly 15,000 VHS tapes is that almost none of the films they contain are available in any other format. Low-budget genre and exploitation were especially vulnerable to disappearance when new formats emerged. Yet I’m forced to admit that it’s getting easier to see - and more important, share - the stuff I care about. Since I’ve worked here, I’ve had almost zero difficulty getting access to the ultra-rare, nor have I missed an opportunity to pontificate on the inadequacies of streaming. That gap is mostly made up of foreign titles (our foreign section easily runs five figures, frequently available only on region-coded import discs), documentaries and exploitation and genre-detritus shelf-stuffers from the boom days of early home video. We have a little more than 130,000 individual titles, way more than the big three streamers combined.
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I’ve worked in video stores nearly half my life and have spent most of those years at Seattle’s Scarecrow Video - as far as anyone can tell, the largest publicly available video rental archive on earth. As someone who survives on a cinematic diet of deep cuts, this is only good news, even as it marks a new stage in the perceived obsolescence of the video store.
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Others, like Vinegar Syndrome, are opening up their own outlets, like.
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Boutique physical media labels like Code Red gladly subsidize physical media releases of piles and piles of exploitation and genre rarities by selling packages of streaming rights. The modern streaming service is similarly seriously thirsty for content. In their earliest heyday and with a desperate need to stock shelves, video stores were once flooded with shot-on-VHS garbage and straight-to-video erotic thrillers.
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But here it is, still dubbed but in OAR with a pretty clean transfer, free with my Prime subscription. For the most part, trash cinema freaks like myself used to have to go dumpster diving (sometimes literally) - scouring eBay, flea markets, Goodwills and soon-to-be-shuttering rental shops - to dig up a gem like this. Not too long ago, this sort of thing would be - if you were extremely lucky - the exclusive domain of your local video store, probably on a decrepit, badly dubbed VHS tape. I bring this up not merely to recommend the film (although I wholeheartedly do) but to point out that this is decidedly not what one might expect to find on a mainstream streaming service. Skimming through Amazon Prime the other day, I noticed the recent addition of extreme oddity The Face with Two Left Feet, a 1979 Italian Saturday Night Fever cash-in about a loser who also happens to be a dead ringer for John Travolta, a fact he exploits to pick up his dream girl. Amazon Prime, Scarecrow Video, Spring 2018, torrents, video stores